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"¿Para quién escribía Elena Fortún? Exilio y tensión autorial en Celia, institutriz en América (1944)". [2020]
"'Out of the Frying Pan, Into the Fire': An Interview with Laura Hird" [2021]
"'Open your mind, sharpen your wits': A narrative approach to the benefits of study abroad as perceived by Erasmus+ students." [2021]
Número monográfico "Figures de l'étranger à l'aune du cosmopolitisme" [2022]
"Mystères du réel dans l'oeuvre de Marie Gevers. Motif de l'enchantement arborescent et processus d'écriture poétique". [2020]
"Los retratos de la autora: el caso de Ángela Figuera Aymerich." [2021]
"«La mujer que acaudilló el feminismo hispano». Consuelo González Ramos: docente, emprendedora, emancipada". [2022]
"La extraña ignorada. Estudio comparativo de Catalina de Aragón como personaje en la novela histórica británica y española contemporánea de autoría femenina". [2022]
"Introduction. Strangers and Trespassers in Contemporary Women's Crime Fiction" [2022]
"Interrogating Cosmopolitanism and the Stranger in Tendai Huchu's The Maestro, The Magistrate & The Mathematician (2015)". [2022]
"Incorporating Ambiguity into Girlhood Experiences: Gender Stereotypes and Identity Negotiations in Mary Helen Ponce's Hoyt Street and Norma E. Cantú's Canícula: Snapshots of a Girlhood en la Frontera". [2020]
"Hilary Mantel's Re-Appropriation of Whig Historiography: A Reading of the Wolf Hall Trilogy in the Context of Brexit". [2022]
"Género y antologías: la revisión del canon en la era de la cibercultura y el proyecto Cien de cien (2015-2016)". [2022]
"Gendered Urban Spaces and Strangeness in Jean Rhys' Good Morning, Midnight (1939)". [2021]
"Galdós y los «Episodios Nacionales» durante la Segunda República y la Guerra Civil. Su influencia en «De Barcelona a la Bretaña francesa», de Luisa Carnés" [2021]
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